9th September ~ 30th October 2025
Private View 2-5pm Sunday 7th September
An exhibition full of imagination and virtuosity!

Leaping Hare 85 x 118cm mixed media Mark Hearld £3,950
Leaping Hare 85 x 118cm mixed media Mark Hearld £3,950
MARK HEARLD is an artist-designer who turns his hand to virtually anything – painting, collage, illustration, printmaking, fabric and wallpaper design and decorating ceramics – much in the footsteps of those mid C20th artist-designers Bawden, Ravilious, Piper et al.
For this exhibition he has concentrated on collages and ceramic decoration, bringing to the fore his love and knowledge of animals and birds. The hare – a creature of myth and legend – features frequently in his work, as do pigeons, crows and roosters, all portrayed through his characteristic sweeping brush strokes that give the images so much vitality
Prices of collages on request from gilly@yewtreegallery.com
Mark worked on these pots for 10 days in May this year at the studio of Debbie Prosser, who prepared the forms for him. He was particularly keen to have a group of Tulipières to decorate as increasing interest in species tulips is gradually returning and these vases show off each individual stem to perfection.
ELEANOR GLOVER is a story-teller working in 3 dimensions, mainly wood, acknowledged for over forty years for her idiosyncratic revelations of the human condition expressed through her art. Starting her career as assistant to the toy-maker Ron Fuller, she gained the respect of the legendary Sam Smith who wrote “I love the rich simplicity of her treatment’. Narrative elements and metaphor develop through the process of making, and influences are drawn from her own experiences, observations of life, poetry and literature
(The small emerging wing on each figure represents the sense of shelter and protection we are hoping for)
(A comment on making peace within ourselves. The birds represent guides and protectors of the spirit.)
(The most valuable cargo on the Titanic were the feathers bound for the New York hat trade. Rare exotic birds were driven to extinction by the fashion of the times. This destructive situation sparked the birth of the Society for the Protection of Birds – later becoming RSPB)
(A self-portrait, seated but in motion. Eleanor’s fingerprint forms the face, laser-cut into .5mm thick ply. The hands are card bonded to metal and the dress is card soaked in fibreglass for strength.)
(Figure with protective guardian spirit, watching togther)
(Serendip – shortened form of Serendipity – “the recognition of fortunate things unasked for”. Also the ancient name of Sri Lanka where Eleanor spent many years working as a VSO – “the most extraordinary time in my life’)
Descended from a maritime race (her grandfather was a transatlantic clipper captain), ROBINA JACK has a fondness for the Tall Ships of yore. Such elements enter the visual world of her painted, decorated ceramics together with birds and animals, both endangered and domestic. A highly creative artist, Robina was highly acclaimed as a stained glass artist for 28 years before she found the toxic chemicals too taxing on her health and so turned her attention to ceramics. Continuing her love of pattern and decoration her bowls, platters and jugs have become once more perfect vehicles for her fertile imagery, painted with slips and transparent glazes.
ALEX MALCOLMSON is a Shetlander, now living in Yorkshire, with a life-long memory of maritime stories and fables. His carved and constructed seabirds and mixed media dioramas are a reflection of life on these remote islands. Familiarity with the sea and wildlife in all its aspects gives him the empathy to convey the pure essence of his subjects through sleek line and form. His maritime framed boxworks suggest intriguing histories of life at sea. These are often backed with a section of an early sea-chart with the model of a relevant sailing boat in the foreground and carved fish swimming below, or other attributes of sea-faring life.
Another storyteller, PAUL YOUNG draws on the idiom of C18th Staffordshire ware and their Whieldon glazes as well as European folk art to create narrative tableaux of fanciful characters and creatures. With slips added to the raw clay he then uses coloured glazes to develop layering and rich surface qualities. At the molten state these glazes begin to travel down each piece, merging colours together. Paul works in a refurbished Victorian railway station in the Midlands and also makes domestic pots much in the tradition of early English slip-trailed ware – with his own distinctive adornments.
After studying Art in her native Sweden, SUE MARSHALL moved to Cornwall where she has spent most of her adult life. In the late ‘60s she worked with Breon O’Casey weaving rugs to his design on vertical tapestry looms. Running a gallery subsequently took up much of her time until she passed that on to her children and returned to her own weaving which she now enjoys full-time. Sue favours Swedish wool and linens for their colour and quality and many of the yarns she dyes herself from plants grown in her own garden.
Another artist-craftsman closer to home is GUY ROYLE, the jewellery designer-maker who continues to create jewellery of exquisite design and craftsmanship. His silver bangles and brooches are embellished with 18ct gold delicately formed into birds, leaves and fish. Among his new collection for this exhibition are necklaces of carnelian and amazonite combined with silver and earrings decorated with incised and embossed patterns.
The gardens surrounding the gallery show sculpture by REECE INGRAM, HELEN NOCK and MIKE SAVAGE. Do feel free to wander around them all at your leisure.
We hope you will enjoy the experience of this exhibition over the next two months when we open each week between 10.30 and 5pm from Tuesdays to Saturdays. Any queries, do get in touch with Gilly on 01736 786425 or 07974 001267. Email is gilly@yewtreegallery.com
Find the gallery on the B3306 coast road between St Ives and St Just on the West Penwith peninsula near the village of Morvah. TR19 7TS